Thumbnails Dec 22
by Tony Medley
War on the Diamond (9/10):
90 minutes. NR. Prime. This
fascinating documentary tells the story of Cleveland Indians shortstop
Ray Chapman, the only MLB player ever to die playing baseball, combined
with a history of the rivalry between the Indians and the New York
Yankees over the years. But the rivalry takes second place to the story
of Chapman, who was a lovable, handsome, extremely popular player who
had a storybook marriage with a beautiful woman from a wealthy family.
At the time he was hit in the head with a pitch from Yankee pitcher Carl
Mays in 1920 he was batting .303 and in the midst of his best year, a
pennant-winning and World Series-winning (over the Dodgers) one for the
Indians.
Low Country: The Murdaugh Dynasty (9/10):
3-part series of
50-minute segments. TV-MA. HBO Max. On June 7, 2021, South
Carolina attorney Alex Murdaugh called 911 to report the murders of his
wife and son, Paul in Islandton. Thus opened the scandalous story of the
Murdaugh (pronounced Mur-dock) legal clan, exposing the unfettered
criminal activity that the powerful and arrogant Murdaughs had conducted
for decades over three generations, running roughshod over the small
community. It is not a failing of the legal profession that is limited
to this situation, however; witness the kid gloves with which the
California Bar Association dealt with the apparently thoroughly corrupt
Tom Girardi, who was held as a paragon in the Los Angeles legal
profession for decades, despite continuing complaints filed against him.
We need more of these exposés, and this is one not to be missed.
She Said (8/10): 129 minutes. R.
Another All the President’s Men-type
journalism story, this time about two reporters’ investigation into the
disgraced Harvey Weinstein. Excellent performances are by Carey Mulligan
and Zoe Kazan as the intrepid journalists that continue to dig deep into
the scandal despite the victims being bound by secrecy agreements, and
both give outstanding performances. The pace keeps up throughout the
more than two hours runtime. It’s marred by an unnecessary anti-Trump
opening and the representation of the nonsense that the politically
biased New York Times is the apotheosis of journalistic integrity.
The Vatican Girl (8/10): 4-part Series.
Netflix. On June 22, 1983, 15-year-old
Emanuela Orlandi disappeared on her way to a flute lesson. The Orlandis
was among the few families who worked and lived within The Vatican. This
is a byzantine tale of puzzling intrigue with twists and turns involving
the Vatican itself, a shocking implication of moral corruption in an
institution that holds itself as the arbiter of morality.
I Am DB Cooper (7/10): 100 Minutes. NR.
DB Cooper became one of the most famous
fugitives in history after hijacking a plane and bailing out in the
middle of Oregon. This is the story of two bounty hunters who find an
old man, Rodney Bonnifield (played by himself), who claims to be DB
Cooper, so they investigate the man’s story. Told in flashbacks, the
young Rodney (Ryan Cory, in an impressive performance) is shown as a
troubled man with a lot of energy, but the old man’s claim is told with
notable certitude. It’s an interesting tale.
The Menu (7/10): 117 minutes. R.
This is a clever satire of celebrity
chefs and cuisine snobs combined in a macabre tale about a young couple
who goes to a remote island to dine at an exclusive restaurant when
things gradually take a terrible wrong turn. Highlighted by fine
performances by Anya Taylor-Joy as a guest and Ralph Fiennes as the
chef, it’s a tense tale of claustrophobic dread.
Rivals (6/10): Quarterly TV series of 2-hour
segments. Bally Sports. I’ve only seen
the first of this series, Michigan v. Ohio State. I was expecting to see
some of the great plays and great games from this rivalry with prominent
participants commenting. Guess again. This is an intellectual
examination of what constitutes a “rivalry,” setting specific parameters
that a contest must satisfy before it can qualify. So, if you are hoping
to see a lot of football, forget it. This is an action-challenged lot of
talk but with some prominent participants commenting about the
competition, not the games themselves, rather on the not-so-burning
question of “is this a rivalry?”
The Crown: I
have only seen one episode of the new season of this heretofore
exceptional series, but it is deeply marred by atrocious casting. Matt
Smith and Tobias Menzies were remarkable in their similarities to the
dashing Prince Philip, but Jonathan Pryce completely misses the mark,
playing him as an unattractive old man.
In the last two
seasons Josh O’Connor was spot on as Prince Charles. Dominic West
replaces him, and his movie star-handsome, manly appearance is jarring
and not even close. But worst of all are the players for Diana. Emma
Corrin was, well, spectacular as the Princess, capturing her beauty and
charisma; it was hard to believe she wasn’t the real Diana. Her
replacement, Elizabeth Debicki, can’t even qualify as a pale imitation.
I don’t understand why Corrin needed to be replaced. From what I’ve seen
from this episode, it’s a good thing this series is winding down, after
such impressive first four seasons.
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