Catherine Called Birdy (3/10)
by Tony Medley
108 minutes.
PG-13.
Lena Dunham has written and directed this ludicrous
film (apparently intended as a comedy) about a teenaged girl in 1290s
England. The plot presented is that 14-year-old Birdy (Bella Ramsey) is
being used by her useless family of aristocrats to be sold in marriage
to someone who will pay big bucks to allow them to continue to live in
their privileged lifestyle.
There are so many problems with the film. One is
that every character in the film is a 21st Century
personality placed in the 13th. Worse, 13th
Century English society was nothing like this film. Glaring in its
absurdity is picturing innumerable Africans as prominent members of
society, even members of Royalty and members of bi-racial marriages. In
1290 England? No doubt some in this woke world will see “actors” in
these roles and ignore the historical racial impossibilities. But that
is cowing to presentism which is a desecration of history, and it needs
to be exposed and rejected in defense of honesty.
There was probably nobody like Birdy in 1290 but
there was probably nobody like anyone else in the film, either.
However, on the positive side, Dunham, who has been
shamed by reprehensible, cruel people for her weight, cast Ramsey as her
star, even though she is not one of Hollywood’s outlandishly beautiful
people, and is a little plump and could probably pass physically for a
young woman in 13th Century England. And Ramsey gives a
sterling performance.
Even so, the rest of the casting and story are so
ridiculously 21st-Century woke, it was agony to sit through.
Opens October 7.
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