What REALLY goes on in a job interview? Find out in the new revision of "Sweaty Palms: The Neglected Art of Being Interviewed" by Tony Medley, updated for the world of the Internet . Over 500,000 copies in print and the only book on the job interview written by an experienced interviewer, one who has conducted thousands of interviews. This is the truth, not the ivory tower speculations of those who write but have no actual experience. "One of the top five books every job seeker should read," says Hotjobs.com. Click the book to order. Now also available on Kindle.

 

 

3 Hearts (8/10)

by Tony Medley

Runtime 106 minutes.

OK for children.

Did you ever have to make up your mind?

To pick up on one and leave the other behind.

It’s not often easy; it’s not often kind.

Did you ever have to make up your mind?

The Lovin’ Spoonful, 1965.

That’s the problem facing Marc Beaulieu (Benoìt Poelvoorde) when he meets sisters Sylvie (Charlotte Gainsbourg) and Sophie (Chiara Mastroianni) one right after the other.

While this seems on its surface to be a Racinian tragedy evolved in a complex love triangle, the music (Bruno Coulais) is constantly signaling that it’s as much a thriller as it is a love story. I actually felt that the music detracted from the film because every time Sylvie appears, she’s accompanied by warning blasts from the orchestra. To further her position as a heavy she seems to be always dressed in dark, if not black, clothes. I wanted to tell writer/director Benoit Jacquot, “Enough! I get the picture.” Unfortunately, it happened so often that it became somewhat laughable. Jacquot would be better advised to let his viewers figure it out for themselves without inserting such heavy-handed clues.

But, even though I spend a lot of my space talking about it, that’s the only weak spot in this fine movie. It’s extremely well-paced, the acting is outstanding, and the cinematography is exceptional, especially a particularly tense part of the movie when Marc and Sylvie are driving.

Well, there is one other problem I had with it. Benoit Poelvoorde doesn’t look to me like a man who could so easily win the hearts of women. Brad Pitt I can buy; Poelvoorde not so much. Like the music and Sylvie’s clothes, though, it really doesn’t detract from the excellence of the film.

This is one movie that ends when it should, in a scene directly inspired by Back Street (1961), an ending that leaves one thinking. In French.

 

top