Out of print for more than 30 years, now available for the first time as
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Your Highness (4/10)
by Tony Medley
Run Time 105 minutes.
Not for children.
Once upon a time there was a
terrific, charming, funny film about the Middle Ages with contemporary
dialogue. But this review is not about that film, which starred Bing
Crosby. This film about the Middle Ages is neither terrific nor
particularly funny, although it does have its own strange allure. In
fact, there is only one truly funny line in the movie. Unfortunately, it
is so tasteless and uncharming that I can’t repeat it.
I guess it’s not too
surprising that this film is full of f-bombs and crude language and
jokes since it’s directed by David Gordon Green, who was responsible for
2008’s Pineapple Express which would have been a silent film if
all the f-bombs were removed. The question I have is what are Zooey
Deschanel and Natalie Portman doing in the cast? They have talent.
Joining them is James Franco. He’s little different from the zombie that
appeared as a co-host of this year’s Academy Awards.
The plot centers on sibling
rivalry between Thadeous (Danny McBride) and his older brother, Fabious
(Franco). Thadeous is a fatuous, jealous failure while Fabious is
enormously successful as a knight in armor who returns from a quest with
his adversary’s head. The bad guy is Leezar (Justin Theroux, in a good
performance) who grabs Fabious’ fiancée,
Belladona (Deschanel). Leezar is a wizard and the special effects (by
the German company Die Nefzers) are
very good. Thadeous and Fabious go on a quest to get Belladona back,
where they meet Isabel (Portman), who joins them, sort of.
The film appears to be a
vehicle for McBride, who stars and co-wrote the script with Dan Best,
and also Executive Produced with four other guys. McBride isn’t bad. He
has a nice way with a line, which can’t be said for Franco. Actually,
nothing much can be said about Franco in this film, except that women
might like his bare chest. For the men in the audience there are some
topless women, too.
Deschanel is enormously
talented. She gets much more out of the script than is there and even
shows a gorgeous singing voice. I have no clue as to why Oscar®-winning
actress Portman chose this role (to be sure, she chose it before she won
the Oscar®). It’s a supporting role that requires little in the way of
acting or talent. But neither is onscreen for many minutes.
The language and jokes are
patently offensive, but McBride, Deschanel, and Theroux almost make this
worth sitting through. It is faintly reminiscent of 2009’s Year One,
but not nearly as high quality or entertaining.
April 4, 2011
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