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	  January 2009 Thumbnails by Tony Medley 
	   The 
	  Wrestler (9/10): This is not an easy movie 
	  to watch, but what a performance by Mickey Rourke! Director Darren 
	  Aronofsky inserts exploitive scenes like the brutal use of a staple gun on 
	  Rourke and substantial gratuitous nudity by Marisa Tomei when she could 
	  easily have been wearing at least a bikini top without sacrificing 
	  verisimilitude.  
	  The Reader (9/10): Highlighted 
	  by another great performance by Kate Winslett, this provides a profound 
	  take on German guilt about the Nazi era, buttressed by a bravura 
	  performance by teenager David Kross, who had to learn English and endure 
	  many naked scenes with Winslett for the role, poor guy. Cadillac Records 
	  (7/10): Loosely based on record producer Leonard Chess (Adrien Brody) 
	  and the great black rock ‘n’ roll and blues singers he produced, mainly 
	  Muddy Waters (Jeffrey Wright), Chuck Berry (Mos Def), and Etta James (Beyoncé). 
	  Although the actors are all professional singers in their own right, maybe 
	  it’s understandable since Beyoncé is the executive producer, but they all 
	  use their own voices instead of mouthing to the great singers they are 
	  portraying. I’m sorry, but I don’t want to hear Mos Def cover Chuck Berry. 
	  I want to hear the real thing. Beyoncé is a terrific singer, but I want to 
	  hear James herself. I would especially have liked to have heard her 
	  classic hit, “At Last,” sung by her. Worse, this is yet another music 
	  biopic that plays only snippets of great music, instead of playing each 
	  song in its entirety (except for the boss, Beyoncé, who sings all her 
	  songs from start to finish). The film whitewashes Chess from the way he 
	  exploited his charges (as documented in Berry’s 
	  autobiography), especially Waters and Berry, 
	  but despite a disjoined first half, this ultimately enjoyable movie picks 
	  up in the second half. Four Christmases 
	  (7/10): Despite an abysmal display of ignorance, in which a Christian 
	  preacher equates the Immaculate Conception with the virgin birth, and a 
	  horrible trailer that seems intended to drive people away, this is a 
	  surprisingly entertaining movie with funny performances by Reese 
	  Witherspoon and Vince Vaughn and the rest of the exceptional cast. Doubt (5/10):
	  The story and ending are so ludicrous, defying rational human 
	  behavior, they don't measure up to the award-quality performances, by Amy 
	  Adams, Viola Davis, Philip Seymour Hoffman, and Meryl Streep, in that 
	  order. Milk (5/10): 
	  This isn’t a biopic of assassinated gay San Francisco politician Harvey 
	  Milk, it’s a canonization. The production notes disclaim any even-handed 
	  approach by stating that Milk was “a “friend, lover, unifier, politician, 
	  fighter, icon, inspiration, and hero.” So if you want an accurate, 
	  warts-and-all examination of Milk, this is not the vehicle, despite an 
	  exceptional performance by Sean Penn. The Day the 
	  Earth Stood Still (0/10): Answers the burning question, just how bad 
	  can a movie be? Next month: 
	  Benjamin Button, Frost/Nixon, Valkyrie and more.   |