NASCAR
3D (6/10)
Copyright ©
2004 by Tony Medley
This is basically
style in place of substance. It’s a documentary of the NASCAR tour
promoting auto racing. But it’s made in the IMAX format (an 8 story
high screen!) and 3D! The last 3D film I saw was Bwana Devil (1952) in
which Robert Stack cavorted in a forgettable film that had knives thrown
at the audience. In 1952 the glasses you had to wear were plastic and
paper.
Now, the glasses you
wear are like helmets. But I couldn’t see much difference in the 3D.
Let’s face it, this is a gimmick. Very few would go to see a 47 minute
documentary on NASCAR when they can watch the races every weekend on TV,
so they glimmixed it up with a huge screen and 3D and, viola! a built in
audience!
The best part of
this film is the opening, which is shot with the police chasing a ’49
Ford driven by two moonshiners through the Blue Ridge Mountains. This is based on
history because first generation NASCAR driver Junior Johnson was a whiskey runner who
became a racing legend, winning 50 NASCAR stock car racing titles. The
Moonshiners get away but NASCAR was born because the moonshiners built
cars that could outrun police cars. In an “in” scene the
"actors" portraying the policemen chasing the moonshiners turn out
to be Mike Helton, President of NASCAR and Gary Nelson, NASCAR’s
Managing Director of Competition. But nobody explains this. If you see
the film cold without reading this, or some other review, you’d never
know it.
There’s some
racing in this, but not a lot. We see NASCAR cars being built and lots
of shots of big racing tracks and losta people (up to 135,000) and lotsa
noise and a few shots of races taken from the cars themselves. But we
see this every weekend on TV! The only difference here is that it’s in
3D and the 3D becomes commonplace after about 15 minutes. The obligatory
knife-throwing-at-the-audience scene from Bwana Devil is transformed
into a tire that comes off a racing car that comes out into the
audience. Even though I was expecting it and saw it coming, I still
flinched.
This is a
manipulative film, nothing more than an advertisement for NASCAR.
However, I think it’s worth seeing because of the 3D. But had it been
a minute longer than 47 minutes, it would have been too long.
March 5, 2004
The End
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