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		 The Mustang (3/10) 
		by Tony Medley 
		Runtime 93 minutes. 
		R 
		This is not a western. Rather, 
		it’s a prison movie about convicts who participate in a 
		government-sponsored program to train wild horses for resale. 
		 
		Roman Coleman (Matthias 
		Schoenaerts) is a hot-tempered inmate serving a 12 year sentence for 
		domestic abuse. He has an estranged daughter, 16-year-old Martha (Gideon 
		Adlon) who is pregnant and estranged from Roman, mainly because of what 
		he did to her mother. Myles (Bruce Dern) is the man who is the program’s 
		horse trainer but also serves as a parent figure to the inmates. 
		 
		Directed by Laure de Clermont-Tonnerre 
		and written by her and Mona Fastvold and Brock Norman Brock, with a few 
		other credits, the movie is dark and depressing. Worse, the dialogue is 
		slurred by many of the actors so it’s extremely difficult to understand 
		what they are saying. Like many British and Irish films, although they 
		are in English, their accents are so heavy they need subtitles, this one 
		does, too. 
		The movie is tense because Roman 
		has such violent temper that one never knows what he’s going to do next. 
		Schoenaerts does a fine job of acting as he goes about trying to train a 
		horse as temperamental as he. Basically it’s a tendentious love story about men and 
		horses. 
		Unfortunately, the movie is 
		extraordinarily slow and tedious until the last half hour, when it picks 
		up a little, but not enough. 
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