Out of print for more than 30 years, now available for the first time as
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The
Goldfinch (8/10)
by
Tony Medley
Runtime 149 minutes.
R.
This
is a movie I would normally disdain. It’s long and wordy and the plot is
enigmatic. Directed by John Crowley and based on an equally long and
wordy (800+ pages) novel by Donna Tartt that won the Pulitzer Prize, it
is ostensibly about Theo Decker (Oakes Fegley) who, at 13 years of age,
is present in a museum with his mother as she wants to show him her
favorite painting, “The Goldfinch” by Carel Fabritius, who died in a
gunpowder explosion in 1654.
Boom!
Theo’s mother is dead in a terrorist attack and he survives. The movie
then jumps back and forth between Theo as an adult (Ansel Elgort) and as
a 13 year old as he tries to live his life with his real father (Luke
Wilson), who is a drunken gambler in Las Vegas.
While
there doesn’t seem to be much story here, there is a constant feeling
that there’s more there that we don’t know. Crowley does an outstanding
job of keeping up the pace, aided by exceptional music by Trevor
Gureckis that keeps tension in the movie when you aren’t sure exactly
why.
There
are vignettes about Theo’s infatuation with a red-headed girl, Pippa
(Aimee Laurence, in a moving performance, as a little girl; Ashleigh
Cummings as a grownup), that he sees just before the blast, an antiques
dealer, Hobie (Jeffrey Wright, doing a fine job), and a strange boy,
Boris (Finn Wolfhard, who gives a good, bizarre performance, as a boy
and Aneurin Barnard as an adult), who becomes his friend. Also in the
cast is Nicole Kidman, who cares for him for a short time, and who is
memorable in her short appearances. Actually all the performances are
very good, which is one of the reasons the movie holds interest.
I
liked it.
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