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		Out of print for more than 30 years, now available for the first time as 
		an eBook, this is the controversial story of John Wooden's first 25 
		years and first 8 NCAA Championships as UCLA Head Basketball Coach. 
		This is the only book that gives a true picture of the character of John 
		Wooden and the influence of his assistant, Jerry Norman, whose 
		contributions Wooden  ignored and tried to bury. 
		
		Compiled with 
		more than 40 hours of interviews with Coach Wooden, learn about the man 
		behind the coach. The players tell their stories in their own words.  
		
		Click the book to read the first chapter and for 
		ordering information. Also available on Kindle.  
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		The 
		Goldfinch (8/10) 
		
		by 
		Tony Medley 
		
		
		Runtime 149 minutes. 
		
		R. 
		
		This 
		is a movie I would normally disdain. It’s long and wordy and the plot is 
		enigmatic. Directed by John Crowley and based on an equally long and 
		wordy (800+ pages) novel by Donna Tartt that won the Pulitzer Prize, it 
		is ostensibly about Theo Decker (Oakes Fegley) who, at 13 years of age, 
		is present in a museum with his mother as she wants to show him her 
		favorite painting, “The Goldfinch” by Carel Fabritius, who died in a 
		gunpowder explosion in 1654. 
		
		Boom! 
		Theo’s mother is dead in a terrorist attack and he survives. The movie 
		then jumps back and forth between Theo as an adult (Ansel Elgort) and as 
		a 13 year old as he tries to live his life with his real father (Luke 
		Wilson), who is a drunken gambler in Las Vegas. 
		
		While 
		there doesn’t seem to be much story here, there is a constant feeling 
		that there’s more there that we don’t know. Crowley does an outstanding 
		job of keeping up the pace, aided by exceptional music by Trevor 
		Gureckis that keeps tension in the movie when you aren’t sure exactly 
		why. 
		
		There 
		are vignettes about Theo’s infatuation with a red-headed girl, Pippa 
		(Aimee Laurence, in a moving performance, as a little girl; Ashleigh 
		Cummings as a grownup), that he sees just before the blast, an antiques 
		dealer, Hobie (Jeffrey Wright, doing a fine job), and a strange boy, 
		Boris (Finn Wolfhard, who gives a good, bizarre performance, as a boy 
		and Aneurin Barnard as an adult), who becomes his friend. Also in the 
		cast is Nicole Kidman, who cares for him for a short time, and who is 
		memorable in her short appearances. Actually all the performances are 
		very good, which is one of the reasons the movie holds interest. 
		
		I 
		liked it. 
		
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