| 
		 J. T. LeRoy (7/10) 
		by Tony Medley 
		Runtime 108 minutes. 
		R. 
		In the early 21st 
		Century a writer name Laura Albert wrote Sarah, an apparently 
		first person, autobiographical account of a homosexual male inflicted 
		with HIV named J.T. LeRoy and his struggle with life. She got her 
		sister-in-law Savannah Knoop to be the avatar of LeRoy and together for 
		six years they pulled the wool over the eyes of the public who read the 
		book (I not only never read it, I never heard of it and, frankly, 
		couldn’t care less). 
		Directed by Justin Kelly from a 
		script by him and Knoop, based on her book GirlBoyGirl, Laura 
		Dern plays Laura and Kristen Stewart is Savannah, this is a creepy 
		androgynous film that I found off-putting. Laura is an upbeat, 
		enthusiastic mover who encourages Savannah to play J.T. For her part, 
		Savannah seems always reluctant. 
		I guess everything would have 
		been all right if Laura had just written a straight novel. But since she 
		represented the book as the true story of a real person she found 
		herself in the bind to present that real person. What we see on the 
		screen is a relatively believable story of how she did it and how the 
		two of them carried it off. Not much is said about the dishonesty 
		involved, nor about the damage done by those who believed in the 
		veracity of the book, only to find out it was a sham from the outset. 
		The film takes the story from 
		when Savannah and Laura meet and carries it through to the denouement, 
		as they eventually get involved in making a movie about J. T. 
		So it was all news to me. The 
		film is well done and does hold interest, especially if you are new to 
		the tale. But it is creepy, especially the lesbian scenes between 
		Savannah (as J.T.) and Eva (Diane Kruger), who is an actress producing 
		the film about J.T. I was never clear whether or not Eva knew that J.T. 
		was really a woman while they are making out and having sex.  
		While Dern’s performance is 
		annoying, maybe that’s what she’s supposed to be. Stewart gives a 
		believable performance assuming that Savannah really was going along 
		against her better instincts. Since they did it for six years, though, 
		that’s a little hard to swallow. And she has made a career out of what 
		she did. In the end it basically whitewashes what she/they did that was 
		blatantly dishonest and reprehensible. But this film does tell the 
		story, if you're interested. 
  |