The Spy Who Dumped Me (3/10)
by Tony Medley
Runtime 117 minutes
R
Rarely will you see a movie with
a more unappealing character as that presented by Kate McKinnon. Her
performance is like a grain of sand in your eye; and she’s in almost
every scene! The question is; who is at fault? Is it terrible directing
(Susanna Fogel), a horrible script (Fogel & David Iserson), or McKinnon
herself. Or all three (my vote)? Maybe we shouldn’t blame poor Kate
alone. She gave it her all. Lucille Ball couldn't have done much with
this material, but she probably would have been wise enough not to try
it.
In a chick flick disguised as a
comedy-thriller, Audrey (Myla Kunis) and Morgan (McKinnon) are
thirtysomething best friends in Los Angeles when they are suddenly
thrust into international intrigue and violence that takes them to
Vienna and a bunch of other beautiful locations.
It is unremittingly agonizing to
sit through this nonsense. There is not an iota of reality as McKinnon
continues in scene after scene to wisecrack and overact and just
generally make viewers miserable. The only reason I give this a few
points is that the locations are beautiful, and provide a little solace
against what the actors are doing and saying.
The folly of this is that had
they played it straight it could have been a pretty good thriller.
Apparently thinking they are a female Martin & Lewis (watching Dean and
Jerry now after so many years reveals that Jerry’s humor was appealing
to my pre-teenage mind and is just silly for someone more mature), the
feeble attempt at comedy makes it virtually unwatchable. It was so bad
that after only a few moments, I was yearning for the good old days of
last week watching Tom Cruise navigate through the interminable
Mission Impossible. Comparing the two, this movie proves the truth
of the old adage, “There was never a horse that couldn’t be rode and never a man who couldn’t be throwed.” Or, to paraphrase, there
is nothing so bad that something else can’t be worse.
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