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		 Colette (8/10) 
		by Tony Medley 
		Runtime 112 minutes. 
		R 
		This is a film whose quality is 
		more than a sum of its parts. For me, the best of it is the 
		cinematography (Giles Nuttgens). The locales are so beautifully framed 
		and shot many of the scenes could stand as magnificent oil paintings. 
		The visual values of this movie blew me away. Even without the fine 
		story and good acting, they alone would be worth the price of admission 
		for me. It is just a beautiful movie to watch. 
		The ambience of early 20th 
		century France is enchantingly evocative. 
		This is the story of Sidonie-Gabrielle 
		Colette (Keira Knightley), her writings, and her relationship with her 
		husband, a well-known but not very talented Parisian writer known as 
		Willy (Dominic West). After Willy convinces her to ghostwrite a book for 
		him, she creates an autobiographical story about a country girl named 
		Claudine, and it becomes a cultural sensation. 
		Like the recent film The 
		Wife, Colette sublimates herself and the fame that was justly hers 
		to the cheating, manipulative Willy who basks like a peacock, as Colette 
		turns out book after book about Claudine. 
		Willie and Colette live an open 
		marriage and Colette quickly recognizes that she is bisexual. Both 
		Knightley and West give fine performances capturing complex characters 
		and their increasingly bizarre relationship. 
		Written by the late Richard 
		Glatzer (with his partner Wash Westmoreland and Rebecca Lenkiewicz) and 
		directed by Westmoreland, this is as high quality a film as has been 
		made in a long time. As an aside, Glatzer was a long time Bridge 
		opponent of mine, a gifted player who continued playing the game almost 
		up to the date of his death. 
		As many good biopics do, the 
		film closes with photos of the real people. 
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