Serenity (6/10)
by Tony
Medley
Runtime
105 minutes
R
What is
this, anyway? Noir? Thriller? Fantasy? Actually, it’s a bit of all
three. Baker Dill (Matthew McConaughey) is the skipper of a small
fishing boat on a picturesque island. He has an Ahab-like fixation on a
big fish that he wants to catch. He’s got a girlfriend, Constance (Diane
Lane), the purpose of whose existence is fuzzy, to say the least.
He’s
got an ex-wife, Karen Zariakas (Anne Hathaway), who is married to brutal
rich entrepreneur, Frank Zariakas (Jason Clarke), who apparently beats
Karen often. Karen wants Baker to take Frank fishing and kill him. Baker
is ambivalent until he learns that Frank is abusing Baker’s son, whom we
see in flashovers always working on a computer.
This is
an odd movie with twists and a surprising ending that you might be able
to see coming if you pay attention.
Baker
has a first mate on his ship, Duke (Djimon Hounsou), who is calm and is
apparently there to talk some sense into Baker who is angry most of the
time.
Also
appearing occasionally is a travelling salesman, Reid Miller (Jeremy
Strong), who is as inscrutable as they come, not making much sense until
what might really be going on becomes more and more understandable.
Reid's involvement in this film made me think of Tom Stoppard's play
about Rosenkrantz and Guildenstern's musings on their involvement in
Hamlet.
The
ambience is outstanding and the tension builds as the mystery slowly
grows much larger. Although the name of the island is Plymouth, it’s not
clear exactly where it is, but it is clearly tropical. In fact it was
filmed on the island of Mauritius, which is in the Indian Ocean off the
southeast coast of Africa. Wherever it is, if they have 50 year old
women like Diane Lane, I want to go there.
The
acting is very good. I’ve never been a fan of Hathaway’s but this is one
of the few performances that I’ve seen that I could say was pretty good.
The cinematography is good and the story is good enough to hold your
interest up until the end. It’s the kind of movie that you come out of
saying, “What was that all about?”
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