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		Richard Jewell (10/10) 
		by Tony Medley 
		130 minutes 
		R 
		When I checked in for the screening and was told 
		the runtime was 2 hours 10 minutes, I said, disappointedly, “Clint 
		usually doesn’t make movies that long.” 
		But Clint clearly knew what he was doing because 
		this is the best movie I’ve seen so far this year. Clint Eastwood 
		directs with his usually attention to pace and tension from a script by 
		Billy Ray based on actual events and a Vanity Fair article 
		“American Nightmare—The Ballad of Richard Jewell” by Marie Brenner. 
		Joining Clint and a few others as co-producers are Leonardo DiCaprio and 
		Jonah Hill. 
		The acting is superb. Paul Walter Hauser, who gave 
		such a sparkling performance in a small supporting role in 
		I, Tonya, gives another 
		captivating one as Jewell, the security guard who discovered a bomb at 
		the 1996 Atlanta Olympics and was then attacked by the FBI and the media 
		as the bomber. But he’s not alone in great performances. Sam Rockwell 
		knocks it out of the park as his attorney Watson Bryant, Kathy Bates 
		captures the despair of Jewell’s mother and Jon Hamm is perfectly 
		hateful as a fictional FBI agent. But maybe the most captivating 
		performance is by Olivia Wilde as the sexy reporter Kathy Scruggs, who 
		will do anything for a story (#Me Too be damned!). She is as sexy in 
		this film as any actress I’ve seen and she never comes close to taking 
		off her clothes. 
		This movie really stands as Eastwood v. the FBI and 
		the Media and, although Clint clearly means it as a way to show that 
		Richard Jewell was a hero, I can’t help but think he also means it as a 
		metaphor for the way the FBI and the media have treated Donald Trump; 
		rush to judgment, lie, obfuscate the facts, and frame the victim. 
		Politics aside, this is a terrific movie. Oscars® 
		for everybody! 
		  
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