Richard Jewell (10/10)
by Tony Medley
130 minutes
R
When I checked in for the screening and was told
the runtime was 2 hours 10 minutes, I said, disappointedly, “Clint
usually doesn’t make movies that long.”
But Clint clearly knew what he was doing because
this is the best movie I’ve seen so far this year. Clint Eastwood
directs with his usually attention to pace and tension from a script by
Billy Ray based on actual events and a Vanity Fair article
“American Nightmare—The Ballad of Richard Jewell” by Marie Brenner.
Joining Clint and a few others as co-producers are Leonardo DiCaprio and
Jonah Hill.
The acting is superb. Paul Walter Hauser, who gave
such a sparkling performance in a small supporting role in
I, Tonya, gives another
captivating one as Jewell, the security guard who discovered a bomb at
the 1996 Atlanta Olympics and was then attacked by the FBI and the media
as the bomber. But he’s not alone in great performances. Sam Rockwell
knocks it out of the park as his attorney Watson Bryant, Kathy Bates
captures the despair of Jewell’s mother and Jon Hamm is perfectly
hateful as a fictional FBI agent. But maybe the most captivating
performance is by Olivia Wilde as the sexy reporter Kathy Scruggs, who
will do anything for a story (#Me Too be damned!). She is as sexy in
this film as any actress I’ve seen and she never comes close to taking
off her clothes.
This movie really stands as Eastwood v. the FBI and
the Media and, although Clint clearly means it as a way to show that
Richard Jewell was a hero, I can’t help but think he also means it as a
metaphor for the way the FBI and the media have treated Donald Trump;
rush to judgment, lie, obfuscate the facts, and frame the victim.
Politics aside, this is a terrific movie. Oscars®
for everybody!
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