The Equalizer 2 (7/10)
by Tony Medley
Runtime 121 minutes
R
One thing about director Antoine
Fuqua, he loves violence. He has made extremely profitable movies whose
main force is graphic violence, like Training Day (2001) and the
first Equalizer.
Some of his movies have not been
overly violent and some have been entertaining; some have not, like
Olympus Has Fallen (2013) and the ill-advised remake of The
Magnificent Seven (2016). Everybody is entitled to some mis-steps
and at least he has tried.
In this one, his favorite star,
Denzell Washington, returns as Robert McCall, who lives alone and is
sort of a Batman-like character, righting wrongs throughout the world
while working as an Uber driver. While at it, he usually kills people
methodically and without emotion. Of course the bad guys getting the
shaft are quintessentially bad and clearly deserve any kind of fate that
results in their demise.
This one, like most modern
thrillers, is patently absurd. Even though Robert does not have
superhero powers, he takes on bad guys galore and dispatches them with,
well, dispatch, no matter the number.
And that’s the weakness of these
films. One never thinks that Robert is in trouble, no matter how many
villains are attacking him. As a result, the film lacks the tension that
is created by someone being in real danger. Robert is so in control of
every situation that the idea of him not winning is unthinkable.
The final confrontation between
good and evil takes place in a deserted town during a Category 5
hurricane, which was filmed in the Marshfield neighborhood of Brant Rock
on the south shore of Massachusetts. Although it takes maybe 20 minutes
onscreen, it took a month to film using 12 giant wind machines that can
create winds up to 80 mph.
Washington said he took the
role, the first time he’s played in a sequel, because he looked forward
to working with Melissa Leo again, who gives a good performance as
Robert’s former handler. He also was attracted to a surrogate father-son
relationship between Robert and a young black artist named Miles (Ashton
Sanders) who is being pulled into a gang.
Despite the implausibility and
the troubling violence that Fuqua always forces on his audience, it is
an entertaining film.
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