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		The Equalizer 2 (7/10) 
		by Tony Medley 
		Runtime 121 minutes 
		R 
		One thing about director Antoine 
		Fuqua, he loves violence. He has made extremely profitable movies whose 
		main force is graphic violence, like Training Day (2001) and the 
		first Equalizer.  
		Some of his movies have not been 
		overly violent and some have been entertaining; some have not, like 
		Olympus Has Fallen (2013) and the ill-advised remake of The 
		Magnificent Seven (2016). Everybody is entitled to some mis-steps 
		and at least he has tried. 
		In this one, his favorite star, 
		Denzell Washington, returns as Robert McCall, who lives alone and is 
		sort of a Batman-like character, righting wrongs throughout the world 
		while working as an Uber driver. While at it, he usually kills people 
		methodically and without emotion. Of course the bad guys getting the 
		shaft are quintessentially bad and clearly deserve any kind of fate that 
		results in their demise. 
		This one, like most modern 
		thrillers, is patently absurd. Even though Robert does not have 
		superhero powers, he takes on bad guys galore and dispatches them with, 
		well, dispatch, no matter the number. 
		And that’s the weakness of these 
		films. One never thinks that Robert is in trouble, no matter how many 
		villains are attacking him. As a result, the film lacks the tension that 
		is created by someone being in real danger. Robert is so in control of 
		every situation that the idea of him not winning is unthinkable. 
		The final confrontation between 
		good and evil takes place in a deserted town during a Category 5 
		hurricane, which was filmed in the Marshfield neighborhood of Brant Rock 
		on the south shore of Massachusetts. Although it takes maybe 20 minutes 
		onscreen, it took a month to film using 12 giant wind machines that can 
		create winds up to 80 mph. 
		Washington said he took the 
		role, the first time he’s played in a sequel, because he looked forward 
		to working with Melissa Leo again, who gives a good performance as 
		Robert’s former handler. He also was attracted to a surrogate father-son 
		relationship between Robert and a young black artist named Miles (Ashton 
		Sanders) who is being pulled into a gang. 
		Despite the implausibility and 
		the troubling violence that Fuqua always forces on his audience, it is 
		an entertaining film. 
		  
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