| 
	     
		Mary, Queen of Scots (6/10) 
		by Tony Medley 
		Runtime 125 minutes 
		R 
		There are some really good things about this film. 
		Written by Beau Willimon from Dr. John Guy’s acclaimed biography, “Queen 
		of Scots: The True Life of Mary Stuart,” this is a view of Mary (Saoirse 
		Ronan) that is eye-opening. To start off with, Ronan is pretty much a 
		dead ringer for one of the paintings of Mary. The resemblance is 
		astonishing. 
		Mary was the daughter of Scottish King James V, who 
		died six days after her birth, as a result of which she became queen. 
		But her mother took her to her native France where she was raised. At 16 
		she married the French Dauphin, who became King Francis II of France the 
		next year and she became Queen. Alas, he died the following year, so in 
		1561 she returned to Scotland at age 19 to assume her place as Queen of 
		Scotland. That’s where director Josie Rourke picks up the story. 
		But instead of telling it straight up, she tells it 
		by contrasting Mary with Elizabeth I of England. Elizabeth was the 
		daughter of Henry VIII and Anne Boleyn, who was beheaded by Henry when 
		Elizabeth was two years old. After Henry’s death, there was a parade of 
		monarchs, her half-brother Edward VI, then Lady Jane Grey (for nine 
		days), then her half-sister, the Catholic Mary, the daughter of 
		Catherine of Aragon, and, finally, Elizabeth, who became Queen in 1558 
		at age 25, three years before Mary returned to take the crown in 
		Scotland at age 19. 
		The film jumps back and forth between Mary and 
		Elizabeth (Margot Robbie) and contrasts how each handles similar 
		problems, dealing with men who were not enamored with women monarchs. 
		During this time (October 10, 1562, actually) Elizabeth contracted 
		smallpox and throughout the film she is shown with sores all over her 
		face 
		While Rourke shows how the odds were stacked 
		against Mary from the outset, it also shows her to be relatively 
		frivolous, lots of scenes with her cavorting with her maids. It never 
		shows her ruling the country, except some scenes of her on horseback 
		leading a few battles. I have no idea if these are true, but I doubt it. 
		As long as I’m doubting, the film shows Elizabeth 
		and Mary meeting personally, something that never happened. 
		While the film is agonizingly long, it is 
		enlightening because it opens a new vision of Mary. The acting is good 
		throughout and the cinematography (John Mathieson) is exceptional. 
		  
		 |