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		Den of Thieves (7/10) 
		
		
		by Tony Medley 
		
		
		Runtime 140 minutes 
		
		
		Not for children. 
		
		
		I don’t know where writer/director Christian Gudegast gets his 
		information. He was a screenwriter for 
		
		Olympus Has Fallen
		(2013), 
		
		in
		
		
		which his star in this movie, Gerard Butler, also starred. But, while 
		this is an interesting, tense bank robbery heist thriller, it is also a 
		libel on the Los Angeles Sheriff’s Department. 
		
		
		“Big” Nick O’Brien (Butler) is an arrogant, cocky, foulmouthed leader of 
		a squad in the Sheriff’s Department called the Regulators, defined as 
		“an elite major crimes squad.” I don’t think a group of policemen as 
		lawless as these would last long in any Police Department. They are 
		strictly a fiction of Gudegast’s imagination and there really doesn’t 
		seem to be any reason for him to create them as being so barbaric. 
		
		
		What’s sad about this is that after about the first hour when the bad 
		guys, led by Ray Merriman (Pablo Schreiber), start to execute their 
		devious plan the film is captivating, even though the dénouement contains 
		absurdly ridiculous violence that would never happen on a Los Angeles 
		street, or any street in America. 
		
		
		As a result, the film is full of plot holes aplenty. For instance, Gudegast 
		throws in a B story (that’s being generous; it barely qualifies as a Z 
		story) about O’Brien’s relationship with his wife and daughters. It has 
		absolutely no bearing on the story and, in fact, Gudegast brings it up, 
		shows some scenes, and then lets it die, never to be mentioned again. If 
		I were his editor I would cut the entire situation and shorten the film 
		by at least 20 minutes. 
		
		
		Worse, even though the heist is interesting and presented in a manner 
		that captures the viewer’s attention, it is totally incomprehensible. 
		What are they doing? Why? What happened? How did it work? In the end, 
		you don’t find out answers to these questions. Maybe Gudegast doesn’t 
		know either. He had what he thought was a good idea, couldn’t figure out 
		exactly how what they do could be accomplished, but put it on the screen 
		anyway. 
		
		
		As you can tell, this is another film that needs some serious editing. 
		When we exited the screening I asked my assistant several questions 
		about what was going on and why and she didn’t have a clue either. Even 
		so, it’s a fun film to watch and holds your interest 
		throughout. 
		
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