40 Years in the Making:
The Magic Music Movie (8/10)
by Tony Medley
Runtime 99 minutes.
NR
Everybody, or mostly everybody
of a certain age, knows the story of The Mamas & the Papas, four singers
who were nobodies but, thanks to Lou Adler, became the most popular Folk
Rock group of the ‘60s. They told their own story in their song,
Creeque Alley.
They got lucky and hit it big.
This, on the other hand, is the story of a similar group that got
together in the early ‘70s in Boulder, Colorado, writing and playing
acoustical rock who never came to anything, despite their local
popularity. Director Lee Aronsohn was a big fan when he was in school in
Boulder. Nothing ever came of them, so he decided to look back and find
out why and what happened to them.
Told with personal interviews
with all the band members and some of their wives, along with archival
videos and stills, it is a truly fascinating tale. They are all
appealing people and tell their story without shame, in fact laughing at
how close they came to success and the silly things that caused them to
not get the big break.
One of those is right near their
beginning in the early ‘70s when they got a manager who had some
connections in Nashville. They all flew down there and had an interview
with someone who liked them and offered them a contract. But there were
two problems. One was that he insisted that they needed a drummer and
they didn’t want one. The other was that he wore pointed shoes and one
of the members was turned off by that. So they passed, losing not only a
chance at the big time but, understandably, their manager, who washed
his hands of them.
The music that they wrote and
sang is played in the background throughout the movie and at the end
they get together for a big reunion concert in Boulder and sing some of
their songs. While they were tuneful and their harmonies were nice, I
didn’t think their songs were comparable to Monday, Monday or
California Dreamin’ or the other hits by The Mamas & the Papas.
Conversely, George Martin, who gave The Beatles their big break, said
that it wasn’t their music that sold them to him, it was their charm,
“They were just very charming people,” said Martin.
These guys are all charming,
too, which makes this such an interesting journey as they tell their
story. They clearly had talent and with the help of a top producer like
Adler, Martin, or Phil Spector (whose genius made The Righteous
Brothers’ recording of You’ve Lost That Lovin’ Feelin’ the most
played song on American radio and television in the 20th
Century), it’s conceivable they could have become stars and the songs
they wrote big hits.
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