American
Assassin (7/10)
by Tony Medley
runtime 118 minutes
R
When I saw the first
James Bond film, Dr. No (1962) after reading all of Ian Fleming’s
books, I didn’t think Sean Connery fit my conception of James. My
impression of Bond was more akin to the photo of Ian Fleming that was on
the back cover of all the paperbacks. But, of course, I quickly came to
love Connery as James and can’t accept any of the substitutes.
I am also a fan of most
of Vince Flynn’s book about Mitch Rapp. I was pleased that Dylan
O’Brien, who plays Mitch, corresponds with my mental image of the
protagonist. But I wasn’t thrilled with Michael Keaton (whom I generally
like) as Stan Hurley. Keaton is just not the way I pictured Hurley from
the novels. I was always a fan of Keaton’s. But the last 2 films I’ve
seen in which he appeared, this and
The Founder (2016), he has been less
than compelling. In the latter he was given a bad, biased script and
inept directing. Here, he’s just not the right guy for the part and he
is hampered by an ineffective script.
Worse, the second most
important character in the books was Rapp’s boss, Irene Kennedy. I
pictured Helen Mirren or Judi Dench in this role, or someone like them.
I certainly never pictured a too young actress, Sanaa Lathan, who was
jarring every time she appeared on screen. In the books Kennedy seemed
to be to be much older with a much stronger personality than that
portrayed by Lathan, who seems more a contemporary of Rapp’s than an
older superior. It’s not her fault that the character has not been
understood, properly structured, or thought out by the writers and
director.
Even more harmful to
the film is the way director Michael Cuesta and the 4 writers (Stephen
Schiff, Michael Finch, Edward Zwick & Marshall Herskovitz) have changed
the plot. It’s always a bad sign when you see as many as 4 writing
credits on a film and Flynn’s plots don’t need any “help” from
unimaginative guys like this.
The action in the film
is relatively incoherent and incredible. The ending is nothing short of
Hollywood puerility.
American Assassin
was one of the last books Flynn wrote before his death, and it told the
story of Rapp’s derivation, how he came to be an assassin, and his
search for revenge on the terrorist who killed his fiancée. For the
first third of the movie, the film loosely follows the book. Then it
digresses into Hollywood Pap.
There’s a lot of action
and a lot of silly fights and the pace keeps up. There is one
unnecessary segment of fairly graphic torture.
Flynn’s books were out
of the ordinary which is why I and lots of others liked them. But this
film has nothing in it that separates it from the standard Jason Bourne
thriller; if you’ve seen one, you’ve seen them all. I stretched to rate
this 7/10, but don’t think that Vince Flynn would be pleased with this
vapid, unoriginal rendering of his book at all, especially the way they
changed it.
I imagine that this
film will do fairly good box office. If it does, I also imagine that
Dylan O’Brien will be back for a sequel or two, and that would be fine
with me. I just hope they get a different director and a different
writer and stay closer to the book they are filming. Then they might get
closer to the uniqueness of what Flynn created, which is what these guys
missed.
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