| 
		  
		
		Labyrinth of Lies (8/10) 
		
		by Tony Medley 
		
		Runtime 123 minutes. 
		
		OK for children. 
		
		It might be hard to believe now, with all of this so far in the past, 
		but it took a long time for those SS monsters responsible for what 
		happened at Auschwitz to be brought to justice. In fact, according to 
		this truthful movie, it wasn’t until 1958 that someone started to look 
		into what happened a decade and a half prior. 
		
		While based on a background of true events, the protagonist, Johann 
		Radman (Alexander Fehling) is a composite of three public prosecutors 
		who went after the Nazis who ran Auschwitz. Prosecutor General Fritz 
		Bauer (Gert Voss, who died on July 13, 2014) and journalist Thomas 
		Gnielka (André Szymski) are real people who did exist and did 
		participate in the events shown. 
		
		Radman, a young, inexperienced prosecutor who spends his time in traffic 
		court, is approached by Gnielka with a story and a victim. Radman takes 
		it to Bauer who tells him to proceed, but warns him that he’s getting 
		into a labyrinth and not to “lose his life” in it. But it’s not as easy 
		as it might seem. There is a lot of denial in Germany and lots of people 
		who don’t want to raise ghosts from the past, plus the German political 
		hierarchy is permeated with former Nazis and SS, who obviously don’t 
		want any investigation into what went on at Auschwitz or anybody 
		punished. 
		
		While investigating, he comes across the gruesome crimes of Dr. Joseph 
		Mengele, which is covered in a B story. 
		
		Even though people now know about Auschwitz and the people who 
		facilitated it, the trials that Radman brings about here are still 
		largely unknown, unlike the Nuremburg trials. 
		
		Because this is basically a fictitious story based on true events, it’s 
		not a documentary. But it is fine movie-making and educates the public 
		on an important event in Germany’s history. Says writer/director Giulio 
		Ricciarelle, “This struggle, the pain and the beauty of this struggle – 
		this is the core of this movie.” In German but the subtitles are 
		white and when white on white are difficult to read. 
		  |