The first edition of Complete Idiot's Guide to Bridge
by H. Anthony Medley was the fastest
selling beginning bridge book, going through more than 10 printings.
Second Edition includes some modern advanced bidding systems and
conventions, like Two over One, a system used by many modern
tournament players, Roman Key Card Blackwood, New Minor
Forcing, Reverse Drury, Forcing No Trump, and others.
Also included is a detailed Guide to
Bidsand Responses, along with the most detailed, 12-page
Glossary ever published, as well as examples to make learning the game
even easier. Click book to order.
The Informant! (10/10)
by Tony Medley
Run time 108 minutes.
OK for children.
There is one important aspect to movie making that
always gets short shrift if, indeed, it gets any shrift at all; music. I
don’t mean “Singin’ in the Rain” type of music. I mean the score. There
are some films for which the score is famous, like “Lawrence of Arabia”
(1962), written by Maurice Jarre, who won the Oscar® for his work, a
haunting elegiac that perfectly captured the personality director David
Lean and Peter O’Toole were creating for Lawrence. “The Sting” (1973)
lives in memory largely due to Marvin Hamlisch’s score, featuring Scott
Joplin’s “The Entertainer.” I would bet that, because of the movie, more
people know that music than know the movie. Despite the presence of Paul
Newman, Robert Redford, and director George Roy Hill, this movie sings
because of Marvin Hamlisch.
“The Informant!” is film-making at its best,
directed by Steven Soderbergh. Based on the true story of Mark Whitacre
(Matt Damon), who turned government informant on the agricultural
(Archer Daniels Midland) in the early 1990s, this movie is driven by
Hamlisch’s spectacular score. Expertly crafted by screenwriter Scott Z.
Burns from the book by Kurt Eichenwald, Matt Damon gives the best
performance of his career as the conflicted Whitacre.
Soderbergh very slowly reveals what is going on as
Whitacre contacts the FBI and deals with two agents, Brian Shepard
(Scott Bakula) and his partner, Bob Herndon (Joel McHale), who guide
Whitacre to become an undercover agent for the company for whom he
works. Both Bakula and McHale give rewarding performances. The look that
McHale gets on his face near the end of the movie is so skeptical, I’d
give the guy an Oscar® nomination for just that one scene.
Soderbergh directs a light-hearted look at a
complex situation. Like “Butch Cassidy and the Sundance Kid” (1969) this
is more comedy than adventure, although what is going on is serious and