What REALLY goes on in a job interview? Find out in the new revision
of "Sweaty Palms: The Neglected Art of Being Interviewed" (Warner Books)
by Tony Medley, updated for the world of the Internet . Over 500,000
copies in print and the only book on the job interview written by an
experienced interviewer, one who has conducted thousands of interviews.
This is the truth, not the ivory tower speculations
of those who write but have no actual experience. "One of the top five
books every job seeker should read," says Hotjobs.com.
Tony’s 2008 Oscar Nominations & Winners
by Tony Medley
Some things don’t seem to change. Once again the Oscars® have
nominated films most normal movie-goers would view as unworthy, which is
why most people watch the Oscars® to see what the women are wearing (the
main reason I watch). The idea of a “best” is that it be entertaining.
But Oscar® eschews the importance of entertainment in making its
evaluations for its awards. It’s getting so that all one need do to
qualify for a nomination is produce a film that fits into Hollywood’s
political slant. Hence we have “Milk,” which is an embarrassingly
fawning homage to a leftwing politician without a hint of
evenhandedness. Then there’s “Frost/Nixon,” a medieval vilification of
Richard Nixon by leftwing director Ron Howard. Normal moviegoers have
stayed away from both in droves.
Mediocrity, too, is still rewarded. Last year, “Little Miss
Sunshine” got the nod over two films, “Thank You for Smoking” and “The
Devil Wears Prada,” that were so superior to “Sunshine,” it was
stunning. This year “Slumdog Millionaire” pales in comparison with “FrozenRiver,”
“Smart People,” “The Wrestler,” and “Vicky Cristina Barcelona,” to name
just four basically ignored Indies
that come to mind without thinking too hard that are far superior. Of
those actually nominated, only “The Reader” and “The Curious Case of
Benjamin Button” are Oscar®-quality.
The best category this year is Best Supporting Actress, with
Best Director not far behind. All the nominees deserve the Oscar®.
Awards shows are goofy in any event. At the BAFTA, “Slumdog” was
nominated for “Best British Picture, but lost out to “Man on a Wire.”
Then BAFTA turned around and named “Slumdog” best picture of the year.
How can a British film be “Best Picture” but not “Best British Picture?”
Here’s the way I would have nominated (since they are my
nominations, I’m not limited to five). My winner is indicated by an
asterisk:
Best Original Screenplay
Daniel
Taplitz (Chaos Theory)
*Mark
Poirier (Smart People)
Courtney
Hunt (Frozen River)
Woody Allen (Vicky
Cristina Barcelona)
J. Michael Stracynski (Changeling)
Best Adapted Screenplay
Simon Beaufoy (Slumdog Millionaire)
*David Hare (The Reader)
Eric Roth (The Curious Case of Benjamin Button)
Sergei
Bodrov & Arif Aliyev (Mongol)
Jeremy Brock and
Andrew Davies (Brideshead Revisited)
Best Supporting Actor
Jason Butler Harner (Changeling)
Philip Seymour Hoffman (Doubt)
*Heath
Ledger (The Dark Knight)
Robert Downey, Jr. (Tropic Thunder)
Tom Cruise (Tropic Thunder)
Best Supporting Actress
Kristin
Scott Thomas (The Other Boleyn Girl)
Misty Upham (Frozen River)
Rebecca Hall (Vicky Cristina Barcelona)
Amy Ryan
(Changeling)
*Amy
Adams (Doubt)
Viola Davis (Doubt)
Best Actor
Dennis
Quaid (Smart People)
Javier
Bardem (Vicky Cristina Barcelona)
*Mickey
Rourke (The Wrestler)
Brad
Pitt (The Curious Case of Benjamin Button)
Sean Penn (Milk)
Best Actress
Angelina Jolie (Changeling)
Amy Adams (Miss Pettigrew Lives for a Day)
Melissa Leo (Frozen River)
*Keira
Knightley (The Duchess)
Meryl
Streep (Doubt)
Kate
Winslet (The Reader)
Best Director
Christopher Nolan (The Dark Knight)
Courtney Hunt (Frozen River)
Woody Allen (Vicky Cristina Barcelona)
Clint Eastwood (Changeling)
*Saul Dibb (The Duchess)
David Fincher (The Curious Case of Benjamin
Button)