by Tony Medley
Nicolas Cage is the movie star
for the ordinary man. Heís the guy you look at and say, ďIf this guy can
be a movie star, why canít I?Ē I donít know what makes womenís heart
flutter, but I bet itís not Nicolas. I can understand Brad Pitt, and
maybe even the diminutive Tom Cruise, this generationís answer to Alan
Ladd, all five feet-five of him. But Nicolas Cage?
So for Nicolas Cage to win the
heart of a cutie like Jessica Biel, as he does here, he must have
something not visible to my naked eye. That, actually, was the biggest
plot hole in this, and every time warper has, by definition, a lot of
plot holes. But for Nicolas to come up to Jessica cold, and walk off
with her heart in his hand, well, it strains my credulity. Then, again,
with this as evidence, maybe the next time I see Jessica Iíll ask her if
she wants to go bowling with me.
Cris (Nicolas Cage) is a
performer of magic tricks in a Las Vegas casino. The problem is, what he
does is no trick. He can actually see into the future, but only two
minutes into the future, but thatís enough to get him involved in a
life-altering affair. The thing thatís different about this time-warper
is that Cris can see alternative scenarios in the future. Knowing that,
he can change what he sees happening.
Some terrorists (not Islamic,
mystifyingly) want to explode an atomic bomb somewhere in Los Angeles
(where else?) and FBI agent Callie Ferris (Julianne Moore) is trying to
stop them. She sees Cris do his act and believes him, but he doesnít
want any part of her. Cris uses his powers and gets in trouble with a
casino, so he goes on the run. Enter Liz (Jessica Biel) a woman Cris has
ďseenĒ with his extra sensory perception, and wants to meet.
This is the basis for Director
Lee Tamahoriís intriquing time warp thriller, from another screenplay
with multiple credits (Gary Goldman, Jonathan Hensleigh, and Paul
Bernbaum). Multiple credits often mean a bad film. Here, Goldman
optioned a Philip K. Dick short story, ďThe Golden ManĒ and wrote a
screenplay on spec. He then interested Cage and Saturn films and took
the package to Revolution Studios who liked enough to proceed with the
project. Whatever the cause for so many additional writers, Tamahori has
achieved something better than the sum of its parts because this is a
well-acted, interesting venture.
There are lots of real locations
that add to the romance of the film, The Grand Canyon in Arizona, the
Port of Long Beach, Big Bear Lake and Lake Arrowhead, where the mountain
sequences were shot.
The time warps are interesting
in that the audience often canít tell whatís actually happening or what
Cris is projecting will happen if he doesnít do something else.
All time warp movies have plot
holes, by definition. The concept of a time warp is impossible, Einstein
to the contrary notwithstanding. So to make a story based on something
impossible, the story itself must have some logical flaws. The
brilliance of a good time warper is that the storytellers get you to
believe that what you are watching is logical enough for you to dispense
with your disbelief.
Thatís what happens here. Itís
not possible to go into the story of a time warp movie without ruining
it for the audience. Suffice it to say that Iím a big time warp movie
fan and this is a good one.
April 26, 2007