Music and Lyrics (10/10)
by Tony Medley
The first wonderfully
entertaining movie of 2007, this is a charming love story about has-been
pop star, Alex Fletcher (Hugh Grant) given a second chance by pop idol
Cora (Haley Bennett) to write a song for her. But he needs a lyricist
and finds her in his substitute plant lady, Sophie Fisher (Drew
Barrymore), who comes with some problems of her own.
One of the joys of this film
is watching Grant deliver the lines of writer-director Marc Lawrence. I
cringe when I think of someone like Will Ferrell uttering these lines,
but Grant has such impeccable timing that he makes Lawrence’s script a
thing of beauty. While I didn’t have any belly laughs, I had innumerable
“out louders.” Most comedies today are centered around excrement and sex
or someone like Sacha Baron Cohen trying to be as foolish as possible or
making someone look stupid. This is so good it doesn’t have to fall back
on poor taste or making fun of someone.
I’m not sure if Hugh isn’t
even better than his namesake, Cary. In fact, I would nominate Grant for
an Oscar, even though there are still 11 months left in the year. What
Grant does so easily (at least he makes it appear easy) is the essence
of acting. What
someone like Sean Penn does is emoting, letting everyone watching know
he’s working, and working very hard. There is a huge difference.
In the immortal words of
Sir Donald Wolfit, “Dying is easy…comedy is hard.” Anyone watching
Ferrell or Adam Sandler or Jim Carrey or Diane Keaton has seen people
working so hard at being funny there is nothing to laugh at. Grant just
kind of floats along and tops them all (that’s damning with faint praise
if I’ve ever written it because the four mentioned rarely cause me to
crack a smile). If what James Lipton said, “A genius is one who can do
what the rest of us must learn how to do,” is true, Grant is without any
shadow of a doubt a comedic genius.
The music greatly enhances
the comedy. The song that Alex and Sophie write (“Way Back Into Love” by
Adam Schlesinger) is catchy and should be up for an Oscar nomination
itself. Grant does all his singing and piano playing, although he admits
that he had lots of “computer help” in his singing. The piano is pretty
easy to set up because mostly he’s playing chords and a little melody,
which isn’t that hard. But his singing is very impressive, even if he
does have some computerized enhancement, for someone who claimed when he
was cast that he “couldn’t sing, dance, or play the piano.”
I can’t close without
praising the performance of Bennett as the pop diva, Cora. She is goofy
and self-assured all at the same time, for which I would give her an
Oscar nomination for Best Supporting Actress. Lawrence has done a
brilliant job of directing this talented cast.
I had a smile on my face
throughout the entire film (approximately 90 minutes). I don’t like to
write much about movies I like, and I loved this one, so that’s all.
February 10, 2007
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