Beowulf (1/10):
by Tony Medley
I was going to say that you
couldn’t pay me to see an animated film. But, upon reflection, that’s
exactly what they do; pay me to see animated films. I don’t generally
go, but when I do go, I get paid. And I’m going to get paid for seeing
Beowulf. Unfortunately, what I will be paid is grossly
insufficient recompense for having to sit through it without bolting,
which would have been understandable if only to preserve my sanity. What
would make it worthwhile? Think Alex Rodriquez numbers.
This is yet another in the
saga of films that aren’t really cartoons, but aren’t really real
people, either. “Motion-Capture Animation” was first seen in a full
length film in Polar Express (2004). Yeah, it looks like Angelina
Jolie up there as the monster Grendel’s mother, but it really isn’t. And
she looks naked, but she really isn’t.
The animation isn’t used
just to camouflage Jolie, it makes Ray Winstone (Beowulf) look like he
just stepped out of Gold’s Gym, so muscular is he. It also condemns
Robin Penn Wright (Wealthow, the wife of the King, Hrothgar, played by
Anthony Hopkins, and Beowulf) to look like little more than a plastic
doll. In fairness, the credits give all the actors “voice” credits. So
most of what we see is apparently animation.
Just about everyone
struggled having to read the epic poem sometime in their educational
careers, but probably nobody knows the story. According to this version
Beowulf kills Grendel, shacks up with Jolie, takes over Hrothgar’s
kingdom and then has to face an even worse monster, who happens to be
his son, although that’s not presented in any kind of a heart-tugging
manner.
There were titters in my
audience at the amateurish manner in which the camera avoided showing
male frontal nudity when Beowulf decides to fight Grendel naked. There’s
always something conveniently hiding his groin.
Sitting through this thing
for 93 minutes raised a question in my mind, however. What is Anthony
Hopkins doing in something as bad as this? Does he really need the
payday that badly? For that matter, what are Jolie and John Malkovich
doing here? With credits like this, who needs Reefer Madness?
I thought the animation of
human beings deplorable. So long as you have the actors, why not have
them act in the film? As an added, additional gimmick, the film is in
3-D. I saw it at an IMAX® screening. Making it bigger and with the 3-D
gimmick just made it a bigger disappointment. To add icing to the cake,
the glasses one has to wear to see the 3-D effects were less than
pleasant to wear. My friend took them off halfway through, which causes
the image to be blurry. I should have tried that. Maybe it was better
blurry, although my friend said not. It certainly couldn’t have been
worse. If they’re going to continue to make 3-D movies, they are going
to have to make glasses that are not so uncomfortable.
November 14, 2007
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