| Sir No Sir (0/10) by Tony Medley This is biased, one-sided 
		propaganda film-making at its worst, or best, as the case may be, 
		justifying the anti-Vietnam war movement. While there may have been 
		reasons for opposing the war, and while there should have been protests 
		against the way the war was waged by military strategy-ignorant control 
		freaks like Lyndon Johnson and Robert McNamara, this film ignores those 
		bases and concentrates on people who just didn’t want to fight any more. 
		There are soldiers like that in every war. In fact, most soldiers don’t 
		want to fight. Not all of them whine with the success these people had. 
		Their whining, combined with the fact that the Nixon Impeachment came at 
		just the right time in the war for the North Vietnamese to make their 
		winning move while the Administration was totally preoccupied with 
		Watergate, resulted in the Communist North Vietnamese-Viet Cong winning 
		the war resulting in the deaths, imprisonment, and expatriation of more 
		than 2 million South Vietnamese.  Everything that can be spun 
		is spun like a top. For instance, Bob Hope, who was a national 
		institution, beloved by virtually everybody, is referred to as the “pro 
		war comedian who turned cheers to jeers.” That’s not the way I remember 
		it. But, then, history is made by those who tell it, not those who do 
		it. And that, in the end, is the reason for this movie. Consistent with 
		their activities in the ‘60s and ‘70s, there is no lie too great to tell 
		to justify their positions.  There are many ludicrous 
		statements made by the people interviewed in this film. For instance, 
		one said, “They went through a list of people in the military to be 
		assigned to defend the Democrat National Convention in Chicago in 1968 
		and didn’t send anyone they thought might be subversive.” He said this 
		as if it was outrageously discriminatory that “subversives” would be 
		excluded from being sent to defend people against those with whom he was 
		subverting. Excluding people who could cause trouble just sounds 
		reasonable to me.  Another complained about 
		being court-martialed, claiming they singled him out because he told 
		them he “wasn’t going to do what they ordered him to do because he’s not 
		their slave.” So they court-martialed him. Well, duh! When you are in 
		the service, you say, “yes, sir,” and salute. If someone says he’s not 
		going to follow orders, that’s a court-martial offense, regardless of 
		what he’s ordered to do, so long as it is a legal order. According to 
		the film he was acquitted in his court martial, but is today serving a 
		ten year prison sentence. Well, that’s interesting, but the film doesn’t 
		say why he is in prison. What were you expecting? Facts?  Another, Susan Shall, was 
		incensed that General Westmoreland wore his uniform to Congress and 
		other places in which he made statements supporting the war. She said 
		she should be allowed to wear her uniform when she marched in protest of 
		the war, even though she was still on active duty. Let’s see, Gen. 
		Westmoreland was working in support of a government policy, to win a 
		war, and Ms. Shall was working in opposition to government policy, 
		working to lose the war. And she thinks her wearing her uniform to 
		defeat the United States in war is the same as someone else on active 
		duty wearing his uniform to help the United States win the war. Are Ms. 
		Shall and her aforementioned compatriots living in some parallel 
		universe where common sense is suspended?  Nowhere in the film is there 
		any mention of the Uniform Code of Military Justice, which is the law 
		under which they live while they are on active duty. All of them clearly 
		violated the UCMJ and were justly punished.  Jane Fonda is shown 
		commenting at length. Jane apparently is still proud of the way she 
		vilified the American POWs when they were finally repatriated and came 
		home. The film is narrated by her son. Well, you get what you pay for 
		and you should know what you are going to get and not going to get when 
		you go to this film. What you are not going to get is reason or balance. 
		This is nothing more than a diatribe.  There’s much more. Another 
		ex-soldier said that air craft carriers aren’t part of the fleet 
		anymore. No, they’re used by the United States to attack peasants. What? Another complained that the 
		army “turned me into a killer, training me to take someone else’s life.” 
		Well, yes, that is what you are trained to do in the infantry. So?  Another, Bill Muskat, says 
		that Nixon went to an air war because the army was refusing to fight. 
		This raises another point of which this film tries to convince its 
		audience, that there was an army-wide mutiny. Everyone was refusing to 
		fight, so Nixon had no choice but to start bombing the north. Sounds 
		intriguing, but ‘tain’t so, McGee.  These people all express 
		pride for what they did. None ever mention the fact that the result of 
		America bailing out of Vietnam was the deaths, imprisonment, and mass 
		exodus by those lucky enough to get out and not drown in the effort, of 
		2 million South Vietnamese.  This is a film that is so 
		devious, it is one of which Joseph Goebbels would be proud. |