| 
      London (0/10) by Tony Medley At one point, Syd (Chris Evans) 
      says, “I just want something to turn the pain off. Give me something.” For 
      a brief moment I thought he must be sitting right next to me watching 
      feeling the same pain I was enduring having to sit through to the end of 
      this clunker and I almost said, “I know how to stop the pain; let’s get 
      outa here!” This has several clues that it 
      stinks. The first comes within the opening 10 minutes when a woman comes 
      into a bathroom where two guys are snorting coke. She pulls down her 
      panties and urinates while carrying on a conversation with them. I’ve 
      never seen a movie that showed someone going to the bathroom that wasn’t 
      atrocious. For a woman to urinate in front of two men as if she were 
      sipping tea with them almost caused me to bolt right there. At the end of the movie we are 
      forced to sit through what is apparently the theme song. The lyrics are, 
      “There’s nothing like you and I.” Sometimes a songwriter is lazy and is 
      stuck for a rhyme and opts for something ungrammatical like this. However, 
      the previous line is, “There’s nothing like you and I,” and the very next 
      line is, “There’s nothing like you and I.” So being stuck for a rhyme had 
      nothing to do with it. “There’s nothing like you and me” would work just 
      as well, and would have the extra added attraction that it is 
      grammatically correct. Apparently Crystal Magic, which takes credit for 
      the original music, is/are simply illiterate. The third clue is that the “F” 
      word is used copiously. Everyone uses it. They use it in every sentence. 
      When a screenwriter inserts the “F” word throughout his script it 
      indicates to me that there are few other words he knows. In between the bathroom scene 
      and the theme song, the story is about people who are on an equal 
      intellectual level. It’s supposed to be a love story between London 
      (Jennifer Biels) and Syd. But it’s impossible to determine why they are in 
      love. She gets mad because he never says “I love you.” They have 
      pseudo-intellectual conversations about the existence of God that is about 
      on the level of the second grade. There’s no discussion of causality and 
      the First Cause, or any of the other commonly proffered proofs of God’s 
      existence. Every time we see them together yell at each other and call 
      each other names. Oh, yeah, there is the scene that is now so common it is
      de rigueur where they start fighting and end up having sex. The setting for the movie is an 
      apartment belonging to the parents of 18-year-old friend of London’s to 
      celebrate London going away to live with her new boy friend. Syd crashes 
      the party and brings his drug dealer, Bateman (Jason Statham) along with 
      them. Syd and Bateman immediately go upstairs to the bathroom to snort 
      coke off of a van Gogh painting in the bathroom, where most of the film 
      takes place. The dialogue is straight out of 
      kindergarten. If this is a typical example of young people today, God help 
      us. Only 92 f---ing minutes long, you might be better f---ing advised to 
      go watch some f---ing clouds drifting by. February 1, 2006 |