Apocalypto (10/10)
by Tony Medley
This is a movie I’m glad I
didn’t miss, despite its 2 hour-28 minute running time. The basic story
is essentially a remake of Cornel Wilde’s “The Naked Prey,” (1966),
although no credit is given. Writer (with Farhad Safinia)-Director Mel
Gibson has done a masterful job of recreating pre-Columbian America.
Despite the long running time, my attention never flagged. It starts out
in the middle of the jungle in what appears to be a Garden of Eden
situation. But you feel that this idyllic life style isn’t long for the
world, and it isn’t.
Cast predominantly with
indigenous people, Jaguar Paw (athletic Rudy Youngblood, whose heritage
is Comanche, Cree, and Yaqui) is a young husband and father whose world
is turned upside down in a swift, violent morning. His young wife, the
beautiful Seven (Dalia Hernandez, a dancer and student in Veracruz), is
the mother of their young son and is very pregnant when these events
occur.
Gibson has recreated a world
as it must have existed in the Mayan empire of 15th-Century
Mesoamerica (comprising present day Mexico, Guatemala, Belize, Honduras,
and El Salvador). His realism even extends to shooting the film in
Yucatec, the language spoken today in the Yucatan peninsula. However, to
be fair, like "The Naked Prey" there isn't a lot of dialogue. Most of
the film is visual. And the visual is stunning!
Gibson shows that there was love and affection and
playfulness and an awful lot of violence. Make no mistake, this is a
visually violent picture, not one for the squeamish. In fact, several
people walked out of the all-media screening I attended. But everyone
else sat transfixed as the story grabbed the audience. After it was over
the audience filed out in stunned silence. Personally, I was exhausted.
For me, because I have an
abiding interest in the life-essential rainforest (see
http://www.tonymedley.com/Articles/The_Rainforest.htm), one of the
captivating parts of the movie is that it is shot in the only part of
the rainforest that remains in Guatemala, and it is beautiful. But even
better than that, Gibson takes pains to show that the indigenous natives
who lived in the rainforest knew of many of its miraculous medical
benefits of both the flora and the fauna. He shows them putting bark on
cuts to heal them and attaching insects to wounds to cure them. To the
untrained eye, it might look like poppycock, but, in fact, the
rainforest is teeming with miraculous cures for the maladies that
afflict mankind. This film is the first I’ve seen that tries to educate
people on the wonderful benefits mankind is destroying when it burns
down the rainforest, which has encircled the earth for 60 million years
and is undoubtedly the secret to the beginning of intelligent life on
this planet.
Chasing Jaguar Paw is Zero
Wolf (Raoul Trujillo), who, although a villain, projects as a strong,
respected leader. He’s a complex villain because there is nothing
unlikable about him, except that he wants Jaguar Paw dead. One guy who
isn’t likeable is Holcane Warrior Snake Ink (Rodolfo Palacios, who had
to endure 7 hours of makeup every day!), who also wants Jaguar Paw dead
and is only held back by Zero Wolf, which is what makes Zero Wolf
somewhat sympathetic, at least for awhile.
The film is shot digitally,
using Panavision’s state-of-the-art high-definition Genesis™camera
system, which allowed long takes in the rainforest, and shooting at
night in the rainforest with very little light. The recreations of
Jaguar Paw’s village and the Mayan city are remarkable. Although there
are records for big cities, there is virtually no historical record of
jungle villages, so Production Designer Tom Sanders improvised in a
highly credible manner.
This is a slam-bang,
action-packed chase movie that puts the audience smack-dab in the middle
of pre-Columbian America, and that’s the joy of the movie. Gibson has
brilliantly come as close to showing how it was before Columbus arrived
as we will ever get. If you can stand the gore and violence,
“Apocalypto” is a don’t-miss experience. (In Yucatec with subtitles).
November 30, 2006
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