The New World (2/10)
by Tony Medley
It would have been a daunting
task, but director Terence Malick was definitely the man for it; filming
the known years of Pocahantasís life, 1607-1616, in real time. Since no
one would be willing to sit in a theater for nine years, Malick had the
solution; a 2 Ĺ hour film that only makes you feel as if you have sat in
the theater for nine years. Malick is the guy who remade The Thin Red Line
(1998) concentrating on long, lingering head shots of soldiers thinking
while bullets are whizzing by and bombs are exploding all around.
He surmounted his Pocahontas
task by having virtually no dialogue. He still shows Pocahontas (Qíorianka
Kilcher) and Captain John Smith (Colin Farrell) thinking most of the time,
but he compounds this by making the audience listen to them thinking. This
is a movie that is mostly narrated by voice-overs of the characters
telling us what they are thinking while we are watching them think.
Thatís bad enough, but probably
the worst part of the movie is the maudlin music. The Indians lived in
nature and the English settlers lived in a fort in mostly squalid weather.
Surviving nature was tough, but they did it. However, how they survived
the music that was apparently constantly wafting through the breeze was
My impression of Pocahontas has
always been of a dazzling girl of beauty and a sparkling, irrepressible
personality. She was one of 129 children of her father and was clearly his
favorite. Two explanations as to why she was his favorite are that she was
beautiful and charming. But Malick pictures her as unattractive, quiet,
and morose, nothing like what she probably was and had to be to accomplish
what she did. She was, after all, a 13-year-old in 1607 when she saved
John Smithís life and became an intermediary between the settlers and her
fatherís tribe of Indians. Having never before seen these strangers, she
quickly learned their language and kept the two sides from annihilating
each other. She was one of the exceptional women of history. But you
wouldnít know it from Malickís interpretation.
The only good thing about this
movie is how it recreates life in early 17th Century Virginia.
Filmed in the actual locale, this probably is pretty close to the way it
was, at least as far as the settlers of Jamestown are concerned. Itís too
bad such a lovingly faithful recreation is wasted on such a dismal movie.
Malick must have blown his
budget hiring Farrell, because the rest of the cast is hardly from the
A-List. Well, thatís except for Christopher Plummer, who gets second
billing. But, then, this is the year that Christopher is going for the
Jude Law Award for appearing in virtually every film made during the year.
Even so, he is in this one so little that his appearance barely qualifies
as anything more than a cameo.
If Malick gets to Pocahontasís
Happy Hunting Ground (and after this film thatís debatable; making such a
tedious movie out of such a wonderful story should be a mortal sin, if not
a felony), heís going to owe her a huge apology.
December 10, 2005